Tuesday, July 20, 2010

SUMMER'S SOUL SMACK


Here we are, at the center of this hot summer. What marks your summer so far? For me, its Joni Mitchell's Blue or LCD Soundsystem's Home, Matisse and his vivid colors that smack of the soul - no, they smack THE soul, peach cobbler with friends (the sure way to the heart of anyone) - and when real life gets sweaty and feels unbearable, cool off and get your light turned on with the hilarious, and unforgettable new film 'The Kids Are All Right'

This is a call of arms to live and love and sleep together

We could flood the streets with love or light or heat whatever

Lock the parents out, cut a rug, twist and shout

Wave your hands

Make it rain

For stars will rise again


The youth is starting to change

Are you starting to change?

Are you?

Together

- from MGMT's The Youth - a riff on all things Allen Ginsberg

Wednesday, June 16, 2010

Gay Marriage Progress, Proof At Card Shop


The wedding card section at The House of Cards & Curiosities is proof that progress is being made - weddings and commitment ceremonies are happening. Friends and families are celebrating.

Yet, as Frank Rich said in his OP ED for The New York Times:

"We've come a long way in a short time, but as the Embry case exemplifies, glee for gay people in America still does not match "Glee" on Fox. Until the law catches up to the culture, the collective American soul should find even June's wedding Champagne a bit flat." (Click here to read full column)

One thing about most gays, we don't sit around like victims, waiting for things to change - we get on with our lives, forging ways to live our lives as fully as we can.

We are not going to wait around for someone to give us the green light.

Photo: Troy Chatterton




Monday, June 14, 2010

I Am What I Am


Please forgive my absence - I've been busy writing for The New Gay and working on other projects.

I will make every effort to post once a week and give an update on my writing, MARK and the latest from my life.

Yesterday I was sitting at my desk working on my talk show idea, when I looked at the time (it was 12:30pm) and thought I might be able to make it to Times Square TKTS booth and score a ticket to La Cage Aux Folles. The woman at the booth had one ticket for a cabaret table which sits at the lip of the stage. I took it!

It must be one of the great perches in all of Broadway at the moment - what with the notorious and dangerous Cagelles. I wouldn't miss a single bat of an eyelash. And I've always had a love and fascination for drag queens. So for 3 hours La Cage Aux Folles Nightclub was my heaven.

What moved me the most as I watched this spectacle - happened late in the second act. Albin, out of drag, impersonating the kind of man he was not for the sake of the son he loves. There he sat, lifeless. An impostor. He doesn't stay that way for long - it is not in his nature to hide himself, hence, "I Am What I Am."

Once the truth is revealed, and people are exposed for who they are, and they desperately want to be - the whole cast breaks out in to "The Best of Times." Singing, dancing, arms flying - joy breaks out.

Once again it got me thinking of the things that cause or inspire us to become unbounded and express our true selves. And, the cost of concealing it.

If you haven't already read my piece for The New Gay - here it is, JUMP.

Photo: Sara Krulwich/NYTimes

Tuesday, May 11, 2010

A Moment In Time, Worldwide


The New York Times asked its readers across the world, to take a photo at 11am on Sunday, May 2nd - submit, and let them do the rest.

Its an extraordinary project. A real accomplishment. A technological act of wizardry.

Take a look for yourself. It wouldn't be difficult to spend all day looking at what people have decided as important enough to share with the world. More often than not - these photos are taken inside their homes or of their families. It's a rare, intimate glimpse inside peoples lives. It also proves, people love their pets. Animals rival people.

And we wonder why newspapers are a thing of the past? When a newspaper can bring the world to its readers in this way (with their help!) - there is little need of one, unless you happen to be at a cafe. These are words I never imagined saying.

After looking at a few hundred photos, it sinks in the infinite possibilities of this life. How easy it would feel to be locked in to the reality of our worlds - but its simply not true. One could just as easily be on a lake's edge, making pancakes, or riding a bull.

Click on to Moment In Time

Above photo: I took at 11am, May 2nd. My desk, Brooklyn, NY.

*It's not the one I submitted, I'll let you find that one, if you care to.

Sunday, May 9, 2010

A Brave New World


I'm consistently reminded that we live in an increasingly brave new world. Story after story about someone deciding to live life on their own terms makes headlines. Which means they represent many more.

I recently wrote a piece for The New Gay about the new musical The Kid. Seeing the musical raised questions about parenthood, and whether or not I wanted a child. If I choose not to, that's fine, but I want to make that choice, not arrive at that place by default.

After seeing the show, I wrote my friend Greg who, with his partner, live in Austin, and have a family. They have a son named Henry who's about to celebrate his second birthday. With Greg's permission, I want to share our Greg's response to me asking, When did you know you wanted a child? Why? And how has fatherhood changed you?

I also want to share a story I read about in today's New York Times about a college lacrosse player Andrew McIntosh who decided to come out. In an essay Andrews wrote for outsports.com he talks about coming out to family, team members, dating, and wanting a family. I strongly encourage you to read Andrew's essay. I think Andrew represents the new young gay man of the 21st Century - thinking about career, relationships, and family from early on. His story also reminds us that it can still be a difficult process.

I'm very happy to bring you both Greg and Andrew's stories, and in their own words. This is not here say, its drawn straight from real life. This isn't life in theory, this is life lived.

Troy,


Here is my feeling on the matter: the desire to have children I think falls into three categories. 1) Those who feel a deep longing for them and "know" they will have them one day. 2) Those who don't think about whether they want kids or not but it's just something they assume they will do (this is a straight affliction, not a gay one, as gay people, except for those previously in straight relationships, have to do some time-consuming and expensive legwork to become parents. 3) Those who definitely don't want kids.


When I was 19 my younger sister was born and when she was an hour old I held her for the very first time and something very deep and inexplicable happened to me. The desire to have a child---the knowledge that, yes, I would someday have one---suddenly bloomed in me. It was like some coin on the ground that had always been at my feet and all of a sudden the wind blew the sand off it. The desire sprang fully-formed. I didn't think, "Maybe I'd like to have a kid one day." I just knew, from that moment on. I will be someone's father.


Why? Or maybe I should ask, why that moment? I can't say other than there is something deeply moving about holding a child who's just come into the world. It's kind of like the original sin of humanity, for that small moment, is washed away and here's an opportunity for us to get it right again. Every child born is an opportunity. I've only ever held two children that close to their births--my sister and my son--and in both moments there was something magical that happened, and moving in a way I lack the vocabulary to describe. This was especially true with my son, who came to me at my life's mid-stream, and who was so hard won, and I don't just mean because he was born a month premature and spent his first 8 days hooked up to machines. I mean because at every step along the path I could have turned back. Every time I considered the cost, every time I considered the daunting task of raising someone, every time I thought about giving up the life I'd had thus far, and loved.


But it's like, in that moment, my finger stuck in his little pink fist, I was somehow connected to the ages, to everything that would come after him, and I was telling him everything that ever came before. And I knew that the only true thing I could give him to pass on, the only thing that will still go around once anyone who ever lives has forgotten my name or his name, was love. It may sound hokey, but it's true. And I thought, "You can do this, Greg. You can love somebody so much it will last."


So, the question now, and in this modern age when the usefulness of kids can be debated, is why? I think that for those who have really thought it through and considered long and hard before having children, there is no real answer. Or maybe there are many answers. I used to think that part of it was primal, that there was some biological urge to procreate and see a reflection of ourselves so that we don't wholly pass out of this world on our deaths. But then this doesn't explain the reasons behind adopting and the fact that these children are loved as deeply, often more, than biological children.


I keep returning to love.


I didn't know what being a parent would be like. Try describing the color blue to a blind person or the perfect pop song to someone deaf. It's impossible. We can only get at approximations. I heard all the usual things: Your life as you know it is over; It's harder than anything you'll ever do. Etc., etc. Things that are all true but you don't KNOW what it's like until you've fallen into the flood.


But I knew I would love, and I knew it would be different than the way I loved a partner or my parents, friends and siblings. I knew it would feel like I'd carved out a rib and handed it to someone. I didn't know what it would be, but I wanted to experience that in all its wonderful, terrifying, uncontrolled beauty.


And so now I do.


Sometimes you see some prominent gay going on about not wanting marriage or not wanting kids because it's assimilating, or some other similar argument. It always seems to come from some bitter queen, and I've often wondered if that person truly believes it, or if it's just their bitterness, or even a political viewpoint. For some, I think it's a viewpoint. They've decided that this is true and so they stake out a position that makes them an advanced species on the spectrum of gay evolution. It's an ideological viewpoint, and the problem with ideology is that it lacks life and breath and compassion and understanding. It's just a rock you stand on.


I've also always taken great offense to it, for several reasons. The first is that almost any gay person who decides that they a) want to be a parent and, b) will do everything to be a success at it, has probably thought this all through much more than any straight person you'll ever meet. We are gay. We're not expected to have children. To have children we jump through financial and emotional hoops. In other words, I didn't just one day wake up pregnant. So, when, at the age of 39, with a pregnant surrogate, people were asking me, "Are you ready?" I thought, is it possible to be more ready than I am, understanding that no one is ever truly "ready?"


The second reason I take offense is the implication that I've somehow given in to society by not only having a child but even wanting one in the first place, when I don't believe it's something you DECIDE. It's something you feel, and that feeling is, for the most part, probably a mystery.


But to speak more to that, what is more out of the mainstream than two men or two women having a child together? That thing you sent me where the couple says they're traditional gays because they don't have kids says it all. Having a child is the radical departure.


I am a kid from the Appalachians who came out at the age of 16 and went to the prom with a boy (no internet back then to tear me down or build me up over it, either...we just put on our tuxes and went and a few people said faggot but mostly we were left alone). Besides a few J. Crew sweaters I once had and deeply regret, I've never been attracted to or have been a part of the "mainstream" in almost any way you could describe me. There are parts of mainstream life that I reject wholesale. Having a child, as I've said to you before, has made me visible as a gay man in a way I never could have imagined and, after all these years, is like a second coming-out. You see the people look, you explain to the man next to you on the plane, you cross out the word MOTHER on the pediatrician forms and insert FATHER, you anticipate with horror the first time some little shit is going to tease your kid about having two dads. It's a whole different kind of exposure that, honestly, can feel daunting at times. Sometimes you just don't want to take the time to explain your life.


This is to say that those who feel that having a kid is a cop-out (Rupert Everett said something to this effect recently; though I'm convinced this is a minority attitude...I think most gays see it as a very positive thing) should spend one week taking care of my toddler, investing the time and energy and then tell me what I've copped-out on. Sitting on a high horse judging or questioning the intentions of someone who's done something they never have is what seems like a cop-out.


For me, having a child was simply something I always wanted to do. There was no debate for me. For those who know they don't want to have kids, God bless them. They shouldn't, and that is a-okay with me.


But like two lesbians holding hands at the Star of Texas Rodeo (something I witnessed last month), a simple act of desire and love is often the most radical thing, when displayed to the world.


So those who criticize are free to do so but I find they come from a disingenuous position, thoughtless with their words and ideas at best, prejudiced against their fellow gays at worst.


It all distills down to this, Troy: I always wanted a child. I can't truly say why. I did it. I'm very happy.


xo G


Both guys give the impression that they just want to live life on their own terms. No more, no less. Still, they should be commended for their bravery. That kid of bravery is contagious, effecting far more lives than just their own. Bravo!

Endnote: Modern Family is my new favorite show, but I had forgotten what a great show Brothers & Sisters is - and lets not forget, written by Geoffrey Nauffts (author of Next Fall).
Click here to see an episode that will ignite or reignite interest - If you bake it, he will come.

Saturday, April 24, 2010

Jump for Joy



Two weeks ago I went to an open panel where Patrick Healy who covers theater for The New York Times was moderating a conversation about gay theater and why suddenly, there's so much of it on Broadway right now.

Patrick put together an impressive panel of men to talk about The New Direction of Gay Theater.

Joseph Zellnick, co creator of the musical 'YANK!', playwright John Marans, of 'The Temperamentals', actor Michael Urie (who plays Rudi Gernreich), Michael Zam, book writer for the musical 'The Kid' and its star Christopher Sieber who plays the Dan Savage character.

This took place April 11, a Sunday at 12:30pm and you'd think 9 people would show up. Think again! I'd guess 100 gay men and 1 lesbian filled the Snapple Theater which is home to 'The Fantasticks'.

I've witheld the one man that stole the show for the two hours that this panel spoke. His name is Leslie Jordan, and most know him from his role on Wil & Grace, as Karen's worthy nemesis. Of all the men on the panel, Leslie seemed to have the best first hand knowledge of what its been like as an out gay man in Hollywood trying to make a mark for himself. Trying to work!

Every time Leslie spoke, he had the entire room howling. And Michael Urie, sitting to his right seemed to be his biggest fan. It made for an interesting contrast, Michael 30 years old and Leslie 55. I love Leslie's style of humor. Campy. Audacious. Self deprecating. It plumbs the soul. Yet this kind of humor has a long history in gay culture, and tends to be a stereotypical notion of how every gay man use to speak. The tragedy is, it's a brand of humor that is disappearing. He drops a line, a look, a gesture like no young gay guy ever could. The best equivalent I can think of is that kind of woman in her 70's or 80's that you see on the Upper East Side. The way that kind of woman dresses, socializes, and conducts herself in public is so specific that once they die, for the most part, its gone.

Although, there is a modern gay man who has appropriated this kind of humor and combined it with being an out father, and partner. His name is Cameron on Modern Family. Watch one of my favorite episodes here and you'll see first hand what I mean. Click on to Starry Night. Warning. You will be hooked.

David Rooney, in his review for the New York Times said it very well, "Gay kids emerging from the cocoons these days can tune into any Bravo reality show to find an assortment of potential role models. But a few decades back, kinship ran thinner in culture." All that to say Leslie has helped pave the way, helped create the way. And from the sound of his life story, which he tells in vivid detail during his one man show 'My Life on the Pink Carpet,' he's earned the right to finally say, "I'm as close to my authentic self as I've ever been." Click here for Times Review.

Now, about those photos. When I saw the photo of Leslie leaping in the air I had a flash of my own version, circa late 80's. I'm not sure I felt like I was tapping in to my authentic self, but it was definitely my most ecstatic self. And quite possibly, ecstatic and authentic can't be divided.

I'll leave you with something John Marans said about his characters in The Temperamentals, "They were joyously unapologetic about who they are, and we need more of that."

Patrick Healy's panel proved that this is exactly what we are seeing on Broadway, and this is proof of a new direction - the couple in Next Fall, the couple in The Pride, the couple in The Kid, and the ever authentic and joyful Leslie Jordan.

Photo of Leslie Jordan: by Richard Perry for The New York Times
Photo of Troy Chatterton: by Grandma

Thursday, April 22, 2010

I LOVE NY


I love New York. I really do.

Sure, happier people with sun filled faces come from the west coast to visit and I see the point.

But once again, an ordinary day, running errands in the East Village, turned in to event, rivaling the Kentucky Derby and the Macy's Thanksgiving Parade.

Walking up 3rd Avenue I noticed the streets closed off by city police, slowly it occurred to me that I had heard President Obama was coming to New York today, speaking at the Great Hall at the Cooper Union, across the street from the new Cooper Union building, designed by Thom Mayne, one of my favorite buildings in New York. Anyway, making my way around and up Houston to do a bit of shopping at Whole Foods (Top 10 place in the city to find the man of your dreams), people were gathering at the barricades as if a procession of floats were about to pass by.

No floats today, but the onlookers would get a glimpse of America's great hope - Barack Obama.

Just as I was about to shoot in to Whole Foods a figure caught my eye. There up above Keith McNally's new hit pizzeria Pulino's - a woman, in a spring hat nearly fit for the Kentucky Derby, a smile on her face, and what I imagine to be a prosecco in her hand (11am!)- all smiles, with the best view in the city for watching the President arrive. It was a scene and I loved every second of it.

There - I've given you 1, 2, 3, 4, no 5! reasons to love New York.

Note: Click her to read President Obama's speech at the Cooper

Photo: Troy Chatterton

Wednesday, April 21, 2010

The Kid


Two years ago the book club I'm in read Dan Savage's 'The Kid.' I couldn't put it down. It was a unanimous hit with all the guys. And it got us all thinking more deeply about marriage, children, and the "kicker" - just how hard were we willing to go for the things we want in our lives?

Dan and Terry face it all with seriousness, and great humor. NEVER occurred to me that a couple years later this memoir would be turned in to a Broadway musical, but that's exactly what's happened. It's got a short run, and just began April 16th through May 29th. Don't wait until word spreads and suddenly tickets are gone. It's a love story, about two guys doing what's necessary to make the family they want.

I'll tell you - the one thing I don't miss each week, is Dan's column in The Village Voice. His thoughtful, frank, ballsy answers make me look like a prude. He's a voice of reason in the world of modern relationships. He's PRO healthy honest relationships. This week is no exception - in fact, this week may be the funniest I've ever read. Set up by a very crewed, real life happening. Read for yourself and ask, What would I have done? Click SAVAGE LOVE

For ticket info, click musical, THE KID
For the book, click memoir, THE KID

Photo: Official poster for The Kid

Friday, April 16, 2010

Is it a showbiz magazine, or is it a gay magazine, or what?! -Mart Crowley


Monday I spent the afternoon interviewing Mart Crowley, the author of 'The Boys In The Band.'

It was one of the most remarkable afternoons of my life. Meeting the man behind the work only made my mission for MARK the magazine more focused. Life and the pursuit of living it better, and more fully.

Meeting Mart Crowley, and spending time with him was a great honor. The man who wrote the play which gave birth to the modern gay man - is like you and me. Curious, and still looking for the answers to life's questions about - love, friendship, family, and purpose.

Look for the interview in the future when MARK the magazine is launched. Until then, give the film another viewing, or pick up a copy of 'The Collected Plays of Mart Crowley' and read his sequel to 'Boys' called 'The Men from the Boys.' Mart also wrote a play in 1993 called 'For Reasons That Remain Unclear' that seems very timely now, between a man in his 30's confronting a priest from his childhood.

Photo: Troy Chatterton, at DOMA, the West Village


Saturday, April 10, 2010

Stephen Fry on the iPad (and language)


TIME magazine asked director/playwright/actor and novelist Stephen Fry to go to the coolest address on the planet, 1 Infinite Loop, Cupertino, California and speak to the guys at Apple about its new iPad.

This is his one of a kind take on what he discovered - Stephen on Steve

Here are two memorable quotes from two men who have reshaped our world (almost as fast as God presumably created it!), Steve Jobs and Jonathan Ive.

"I do stuff. I respond to stuff. That's not a career - it's a life."
- Steve Jobs, founder

"For us, it is all about refining and refining until it seems like there's nothing between the user and the content they are interacting with." - Jonathan Ive, designer of iPad, iPhone, iPod, and MacBook

I leave you with a bit of comic genius from Stephen Fry, Tricky Linguistics

Photo: Troy Chatterton, NYC, 14th St.

Thursday, April 8, 2010

Documenting Life



I'm nosey. Could say "curious" but might as well call it like it is.

One of my earliest school memories is someone saying to me, "Take a picture, it last longer." How 80's is that?!

Who would have thought that all these years later photographic images would be used, and shared the way they are today. In seconds, I can send a picture of my kitchen table from Brooklyn to London and my friend has a real life, real time sense of my life. No big deal, right?

Everyone's become a photographer. The use of images has taken off in endless ways. It would be easy to say banal, but the more I see and think about it, the more I'm convinced that the most banal pics, often become small revelations.

Surely the pics on Facebook are the engine that drives the connection. But who am I to start raving about Facebook?I hardly use it. I'm beginning to see the light, and the great possibilities in connecting through photographs and the stories they tell us about ourselves. The photos do not stand in for life, the mark the life we are living.

The New York Times published a piece yesterday called 'First Camera, Then Fork.' It would be too easy to roll your eyes at the idea of people taking pictures of food and saying "Get on with it people. Put down the camera. Eat. Live." The NYT asked its readers to send in pictures of what they too were eating. Read the article, take a look at the pictures - you'll be sucked in. And don't forget to take note of the places these photographs are coming from - Sicily, Portland, Mexico City, Montreal, Dublin, Calcutta, Caracas - you get the idea. Its incredible when you really think of it. Being able to see what people are eating all over the world. And in vivid color. In real time. Right now.
Check out no. 342

Mathias Dopfner from Germany was on Charlie Rose Tuesday night talking about the iPad, and new media. His on-line newspaper Welt Die (The World) recently asked its readers to help create content by sending their photographs, and videos. The response blew their minds. Suddenly newspapers, magazines, blogs and other kinds of sites have an actively engaged reader that didn't exist 10 years ago. Now its up to the editors, journalists, and bloggers to creatively put this reader engagement to entertaining, useful, informative, and sometimes artful use.

I remember years ago reading Andrew Sullivan and in the mix of his commentary and occasional videos he would ask his readers to send a picture from their home. It was fascinating to see what other people woke up to. A simple idea. A big impression.

John Wenner, the founder and editor of Rolling Stone magazine said something that has stayed with me, and is the basis for MARK the magazine. "Revolution would come not through politics but through lifestyle. People would define their identities not by ideologies or political affiliations, but by music, cuisine, clothing, drug use, living arrangements, and attitudes." Break it down - HOW THEY LIVE.

One last point to drive this all home. The director and actor Simon McBurney said some very interesting things about watching theater that pertains to the collective sharing of photos, videos, and our written thoughts. When we recognize something of ourselves in what we see, or we learn something new that enlarges who we are, or we simply connect and exchange a piece of ourselves - something beautiful and important takes place. Here, read a bit of McBurney's thoughts on the collective experience in the theater:

The only reality of the theater exists in the mind of the audience. That audience looks collectively at what is going on on the stage and collectively imagines that this is real. ... But what is more fundamental is the notion that when everybody laughs together or, last night, when I heard people around me collectively sobbing, at that moment we are bound together not by our bodies sitting in the theater but by a collective imagination. At that moment we understand the lie that what we think is only our own, that our internal lives are only our own. At that point our collective imaginations become one imagination and my internal life becomes the same as your internal life, which is what Aristotle understood when he analyzed tragedy. It’s a collective act in which we collectively understand something about being a community together. The moment we understand that, feel it, we feel a kind of responsibility in which we must collectively help and take responsibility for each other. That is part of the definition of our humanity..." For full article go to 'An Expert In Audacity.'

If MARK is able to not only bring you points of view from our own contributors - but also create a community where gay men from all over the country, and world - share photos, videos, and thoughts - we can begin to enlarge the way we see ourselves, and be turned on to greater possibilities for living our lives. This will affect our relationships, our style, our homes, and yes what and how we eat. This excites me. Let me know what you think.
Photo: Troy Chatterton

Wednesday, April 7, 2010

Facebook, Makes It Official


Nothing better than a love story.

Recently at VOWS on nytimes.com, Brian and Ryan tell their love story and how they went from best friends to boyfriends to husbands.

The line I found most surprising (and modern) was "We made it official on Facebook at some point." Facebook!

No, what surprised me most was hearing the free wheeling progression of Ryan deciding to "pop the question" on the anniversary of their first date.

Brian and Ryan don't carry the baggage of 'We can't do this. The world isn't ours.' Instead, they have a vision of their future together, and carry on. They seem to proceed through the world as if it is theirs, navigating courtship and love as any other couple.

It is their world. It is their right.

Watch their video here: Brian & Ryan

Photo: Troy Chatterton (Artist unknown, seen at OUTPOST, Brooklyn, NY)

Tuesday, April 6, 2010

The New




A trip to the city ran me smack in to the new. Everywhere I looked, in fact.

The new Standard Hotel straddling the High Line.

The new iPad on display at the Apple store.
*Boy it feels good in the hand. Better than you'd expect.

The new magnolia blossoms at Sheridan Square.

New York is like that, man and nature conspiring, creating, and moving forward. Thrilling. Addictive. Inspiring.

All this new nearly put me in a stupor. Until I reminded myself that all that's new starts, as an idea, a sketch, a bulb in the ground and so begins the process of creation.

Those that are steadfast see, what seemed impossible, emerge, the new.

Photos: Troy Chatterton

Sunday, April 4, 2010

Swish It Up


Advice from Sue Sylvester, the cheerleading coach on Glee.

Click here to watch video Swish It Up!

Monday, March 29, 2010

Pre-Dawn Possibility Revisited


Last night I went to the final performance of the revival of Mart Crowley's 'The Boys In The Band.'

Until 6 months ago, I had not seen the film, and had no understanding of the plays role in gay history. My friends Guy and Mark are responsible for correcting this wrong.

In the summer of 1968 when this play was off Broadway, I was just forming in my mother's womb. I ask you, how is it possible that I can watch each and every one of these 9 characters and see a piece of myself?

I bring myself up to speed pretty quickly when I discover a gaping whole. Once I saw the film, I found the play to read, and soon heard that a revival would be opening this winter.

What I didn't figure in to the experience, was that I'd be watching the play while Mart Crowley was in the room. It made the experience matter all the more. Afterwards, as the audience walked out of the loft, which took the place of a conventional theater, I noticed Mr. Crowley was still in the room. I wasn't going to miss the opportunity to thanking him for the work. And so I did. He was gracious. Gave me his full attention. And because I have future MARK readers' best interest at heart - I asked if he'd sit down with me this summer for an interview. HIs answer, "Yes."

Tony Kushner wrote an introduction for the 40th Anniversary of the play - and he describes the play beautifully.

"The play is like an egg about to hatch: there's a gleaming surface, there are sudden cracks; there's a wobbling motion and a rolling about; there's a life-or-death struggle going on, under the shell. The thing inside wants out. Birth moments aren't pretty, birth is hard, and birth is bloody. This is crucially a play about birth."

"What the play captures is how disconcerting, how weird, how awkward and uncomfortable these pre-explosion moments are, when brooding rage and potent but as yet inchoate violence deranges and paralyzes those who have not yet found agency, whose souls and psyches are straining with abrasive, enervating tension toward release."

I'm reminded of a line in a Rufus Wainwright song, "So please, be kind, if I'm a mess."

Watching the play now, its a good thing to remember. It's too easy to lose patience with them. Wanting them to be less angry. Less cruel. Less desperate. And to be more courageous. More at peace. More joyful.

That's OUR work. Taking all that we've learned to be true in the years since then, and making a full, happy life with those truths. The world is ours.

Saturday, March 27, 2010

A Life


I nearly skipped it. But I got the better of myself and rushed over to St. Ann's Warehouse to see if there were tickets available to 'A Life In Three Acts' by Bette Bourne and Mark Ravenhill.

Not only did they have a ticket, but it was $20. A gift. Priceless.

What makes this performance so powerful (apart from a 60 year old walk through one man's history), is while your walking out of St. Ann's you'll swear you hear Bette Bourne say in his deep mischevious voice "and yours?"

Meaning, what does your life story say?

Many of you know that this blog is a place for me to talk about the things I am doing, and try out story ideas for my magazine MARK. This play, and Bette Bourne's life is exactly the type of exploration that MARK is interested in.

Charles Spencer, the critic for the Telegraph in London ended his review of this play by writing:

"What a trouper this self-confessed old queen proves (to be.) He signs solo songs accompanied by nothing more than the tapping of his own feet in which we seem to be listening to the drag equivalent of a battered old bluesman, loses his way in the script and doesn't give a damn about it, and emanates a self knowledge and self-confidence that would be the envy of many who lived more conventional lives. Daring to face the rest of the world in a dress has manifestly made a man of him."

What does it mean to be a man? Bette Bourne in his own personal history explores that for himself. Each of us undertake that journey. The question is - do we conform, or do we come to a deeper understanding of our natures?

Bette Bourne ends an interview with some sage advice, " You're not given anything in this world. You must take it. However you see your freedom, in whatever shape, you must take it."

Watching Bette Bourne I thought, how courageous he is to live a life on his own terms like this. This kind of bravery is what helps define a man, isn't it?

Remember, one more performance of 'A Life In Three Acts' - tomorrow, 4pm at St. Ann's. Tickets remain.

Tuesday, March 23, 2010

On The Street


I arrived in New York City in late August 1992. And I was fascinated by what I saw on the street from the second I arrived. Constantly taking pictures of people, and the window displays that caught my eye.

So when I began to notice Bill Cunningham's photos in the New York Times, it was like finding a kindred spirit.

The difference? Bill Cunningham has dedicated his life to taking pictures of what he sees on the street. Day in and day out he can be seen on the corner of 5th Avenue, Bryant Park - or quite frankly, anywhere the action is.

He is 81 years old and to hear him narrate his slide shows, found weekly at nytimes.com, you immediately understand the passion, and joy he brings to his work. Yet, the casualness of his photographs is misleading because it allows you to think that you too could be a Bill Cunningham. And I suppose you could, if you built up that informed eye of the world, understanding in the blink of an eye what matters and what doesn't, along with possessing the rigor and guts it takes to be a street photographer.

Bill Cunningham is the photographer I respect most. His beat is the real world. His modesty is legendary. History will show that his work is as important as Robert Frank, Henri Cartier-Bresson, Avedon, and Penn. All these legends have street photography at the heart of their work.

This week, an 88 minute documentary called Bill Cunningham New York can be seen at MoMA - made by Richard Press. That it was made at all, with Cunningham's permission is a miracle. Perseverance paid off for Richard Press.

I've seen Bill Cunningham many times on the street. And when I do, its with a charge of excitement. "There he is!" And I stand back to watch him in action and see what he is paying attention to.

But my favorite Cunningham moment was when he came in to The House of Cards, where I sometimes moonlight in the West Village. He had asked about a particular greeting card, and wondered if we had multiples of it. We did not. So off he went. Suddenly I noticed we did have more. Looking up the street, I spotted him walking his bike and to my surprise, with another man, who looked to be the same age. I hung back just long enough to watch them talking and smiling. It was a moment of real affection and tenderness. It made me very happy. To see this solitary man who has captured so much for so many - in a moment flipped of the usual. He was like us, just a man on the street with a friend, or lover. Who knew? Its not a moment he may have cared to capture, but I have.

Do not miss this film - it's premiering at MoMA this Wednesday at the NEW DIRECTORS/NEW FILMS series. For tickets go to Bill Cunningham New York.

Bill Cunningham's style of photography will always be central to MARK, we will make it our mission to be on the street capturing gay men going about their lives in the light of day. Thanks Bill, for waking up day after day and having the fortitude and desire to capture what you see.

To hear Bill, go to On The Street

To read David Dunlap's excellent piece in today's Times, go to LENS, Capturing the Elusive Bill Cunningham

Photograph: "From Bill Cunningham New York"