
Two weeks ago I went to an open panel where Patrick Healy who covers theater for The New York Times was moderating a conversation about gay theater and why suddenly, there's so much of it on Broadway right now.
Patrick put together an impressive panel of men to talk about The New Direction of Gay Theater.
Joseph Zellnick, co creator of the musical 'YANK!', playwright John Marans, of 'The Temperamentals', actor Michael Urie (who plays Rudi Gernreich), Michael Zam, book writer for the musical 'The Kid' and its star Christopher Sieber who plays the Dan Savage character.
This took place April 11, a Sunday at 12:30pm and you'd think 9 people would show up. Think again! I'd guess 100 gay men and 1 lesbian filled the Snapple Theater which is home to 'The Fantasticks'.
I've witheld the one man that stole the show for the two hours that this panel spoke. His name is Leslie Jordan, and most know him from his role on Wil & Grace, as Karen's worthy nemesis. Of all the men on the panel, Leslie seemed to have the best first hand knowledge of what its been like as an out gay man in Hollywood trying to make a mark for himself. Trying to work!
Every time Leslie spoke, he had the entire room howling. And Michael Urie, sitting to his right seemed to be his biggest fan. It made for an interesting contrast, Michael 30 years old and Leslie 55. I love Leslie's style of humor. Campy. Audacious. Self deprecating. It plumbs the soul. Yet this kind of humor has a long history in gay culture, and tends to be a stereotypical notion of how every gay man use to speak. The tragedy is, it's a brand of humor that is disappearing. He drops a line, a look, a gesture like no young gay guy ever could. The best equivalent I can think of is that kind of woman in her 70's or 80's that you see on the Upper East Side. The way that kind of woman dresses, socializes, and conducts herself in public is so specific that once they die, for the most part, its gone.
Although, there is a modern gay man who has appropriated this kind of humor and combined it with being an out father, and partner. His name is Cameron on Modern Family. Watch one of my favorite episodes here and you'll see first hand what I mean. Click on to Starry Night. Warning. You will be hooked.
David Rooney, in his review for the New York Times said it very well, "Gay kids emerging from the cocoons these days can tune into any Bravo reality show to find an assortment of potential role models. But a few decades back, kinship ran thinner in culture." All that to say Leslie has helped pave the way, helped create the way. And from the sound of his life story, which he tells in vivid detail during his one man show 'My Life on the Pink Carpet,' he's earned the right to finally say, "I'm as close to my authentic self as I've ever been." Click here for Times Review.
Now, about those photos. When I saw the photo of Leslie leaping in the air I had a flash of my own version, circa late 80's. I'm not sure I felt like I was tapping in to my authentic self, but it was definitely my most ecstatic self. And quite possibly, ecstatic and authentic can't be divided.
I'll leave you with something John Marans said about his characters in The Temperamentals, "They were joyously unapologetic about who they are, and we need more of that."
Patrick Healy's panel proved that this is exactly what we are seeing on Broadway, and this is proof of a new direction - the couple in Next Fall, the couple in The Pride, the couple in The Kid, and the ever authentic and joyful Leslie Jordan.
Photo of Leslie Jordan: by Richard Perry for The New York Times
Photo of Troy Chatterton: by Grandma







