Tuesday, July 20, 2010

SUMMER'S SOUL SMACK


Here we are, at the center of this hot summer. What marks your summer so far? For me, its Joni Mitchell's Blue or LCD Soundsystem's Home, Matisse and his vivid colors that smack of the soul - no, they smack THE soul, peach cobbler with friends (the sure way to the heart of anyone) - and when real life gets sweaty and feels unbearable, cool off and get your light turned on with the hilarious, and unforgettable new film 'The Kids Are All Right'

This is a call of arms to live and love and sleep together

We could flood the streets with love or light or heat whatever

Lock the parents out, cut a rug, twist and shout

Wave your hands

Make it rain

For stars will rise again


The youth is starting to change

Are you starting to change?

Are you?

Together

- from MGMT's The Youth - a riff on all things Allen Ginsberg

Wednesday, June 16, 2010

Gay Marriage Progress, Proof At Card Shop


The wedding card section at The House of Cards & Curiosities is proof that progress is being made - weddings and commitment ceremonies are happening. Friends and families are celebrating.

Yet, as Frank Rich said in his OP ED for The New York Times:

"We've come a long way in a short time, but as the Embry case exemplifies, glee for gay people in America still does not match "Glee" on Fox. Until the law catches up to the culture, the collective American soul should find even June's wedding Champagne a bit flat." (Click here to read full column)

One thing about most gays, we don't sit around like victims, waiting for things to change - we get on with our lives, forging ways to live our lives as fully as we can.

We are not going to wait around for someone to give us the green light.

Photo: Troy Chatterton




Monday, June 14, 2010

I Am What I Am


Please forgive my absence - I've been busy writing for The New Gay and working on other projects.

I will make every effort to post once a week and give an update on my writing, MARK and the latest from my life.

Yesterday I was sitting at my desk working on my talk show idea, when I looked at the time (it was 12:30pm) and thought I might be able to make it to Times Square TKTS booth and score a ticket to La Cage Aux Folles. The woman at the booth had one ticket for a cabaret table which sits at the lip of the stage. I took it!

It must be one of the great perches in all of Broadway at the moment - what with the notorious and dangerous Cagelles. I wouldn't miss a single bat of an eyelash. And I've always had a love and fascination for drag queens. So for 3 hours La Cage Aux Folles Nightclub was my heaven.

What moved me the most as I watched this spectacle - happened late in the second act. Albin, out of drag, impersonating the kind of man he was not for the sake of the son he loves. There he sat, lifeless. An impostor. He doesn't stay that way for long - it is not in his nature to hide himself, hence, "I Am What I Am."

Once the truth is revealed, and people are exposed for who they are, and they desperately want to be - the whole cast breaks out in to "The Best of Times." Singing, dancing, arms flying - joy breaks out.

Once again it got me thinking of the things that cause or inspire us to become unbounded and express our true selves. And, the cost of concealing it.

If you haven't already read my piece for The New Gay - here it is, JUMP.

Photo: Sara Krulwich/NYTimes

Tuesday, May 11, 2010

A Moment In Time, Worldwide


The New York Times asked its readers across the world, to take a photo at 11am on Sunday, May 2nd - submit, and let them do the rest.

Its an extraordinary project. A real accomplishment. A technological act of wizardry.

Take a look for yourself. It wouldn't be difficult to spend all day looking at what people have decided as important enough to share with the world. More often than not - these photos are taken inside their homes or of their families. It's a rare, intimate glimpse inside peoples lives. It also proves, people love their pets. Animals rival people.

And we wonder why newspapers are a thing of the past? When a newspaper can bring the world to its readers in this way (with their help!) - there is little need of one, unless you happen to be at a cafe. These are words I never imagined saying.

After looking at a few hundred photos, it sinks in the infinite possibilities of this life. How easy it would feel to be locked in to the reality of our worlds - but its simply not true. One could just as easily be on a lake's edge, making pancakes, or riding a bull.

Click on to Moment In Time

Above photo: I took at 11am, May 2nd. My desk, Brooklyn, NY.

*It's not the one I submitted, I'll let you find that one, if you care to.

Sunday, May 9, 2010

A Brave New World


I'm consistently reminded that we live in an increasingly brave new world. Story after story about someone deciding to live life on their own terms makes headlines. Which means they represent many more.

I recently wrote a piece for The New Gay about the new musical The Kid. Seeing the musical raised questions about parenthood, and whether or not I wanted a child. If I choose not to, that's fine, but I want to make that choice, not arrive at that place by default.

After seeing the show, I wrote my friend Greg who, with his partner, live in Austin, and have a family. They have a son named Henry who's about to celebrate his second birthday. With Greg's permission, I want to share our Greg's response to me asking, When did you know you wanted a child? Why? And how has fatherhood changed you?

I also want to share a story I read about in today's New York Times about a college lacrosse player Andrew McIntosh who decided to come out. In an essay Andrews wrote for outsports.com he talks about coming out to family, team members, dating, and wanting a family. I strongly encourage you to read Andrew's essay. I think Andrew represents the new young gay man of the 21st Century - thinking about career, relationships, and family from early on. His story also reminds us that it can still be a difficult process.

I'm very happy to bring you both Greg and Andrew's stories, and in their own words. This is not here say, its drawn straight from real life. This isn't life in theory, this is life lived.

Troy,


Here is my feeling on the matter: the desire to have children I think falls into three categories. 1) Those who feel a deep longing for them and "know" they will have them one day. 2) Those who don't think about whether they want kids or not but it's just something they assume they will do (this is a straight affliction, not a gay one, as gay people, except for those previously in straight relationships, have to do some time-consuming and expensive legwork to become parents. 3) Those who definitely don't want kids.


When I was 19 my younger sister was born and when she was an hour old I held her for the very first time and something very deep and inexplicable happened to me. The desire to have a child---the knowledge that, yes, I would someday have one---suddenly bloomed in me. It was like some coin on the ground that had always been at my feet and all of a sudden the wind blew the sand off it. The desire sprang fully-formed. I didn't think, "Maybe I'd like to have a kid one day." I just knew, from that moment on. I will be someone's father.


Why? Or maybe I should ask, why that moment? I can't say other than there is something deeply moving about holding a child who's just come into the world. It's kind of like the original sin of humanity, for that small moment, is washed away and here's an opportunity for us to get it right again. Every child born is an opportunity. I've only ever held two children that close to their births--my sister and my son--and in both moments there was something magical that happened, and moving in a way I lack the vocabulary to describe. This was especially true with my son, who came to me at my life's mid-stream, and who was so hard won, and I don't just mean because he was born a month premature and spent his first 8 days hooked up to machines. I mean because at every step along the path I could have turned back. Every time I considered the cost, every time I considered the daunting task of raising someone, every time I thought about giving up the life I'd had thus far, and loved.


But it's like, in that moment, my finger stuck in his little pink fist, I was somehow connected to the ages, to everything that would come after him, and I was telling him everything that ever came before. And I knew that the only true thing I could give him to pass on, the only thing that will still go around once anyone who ever lives has forgotten my name or his name, was love. It may sound hokey, but it's true. And I thought, "You can do this, Greg. You can love somebody so much it will last."


So, the question now, and in this modern age when the usefulness of kids can be debated, is why? I think that for those who have really thought it through and considered long and hard before having children, there is no real answer. Or maybe there are many answers. I used to think that part of it was primal, that there was some biological urge to procreate and see a reflection of ourselves so that we don't wholly pass out of this world on our deaths. But then this doesn't explain the reasons behind adopting and the fact that these children are loved as deeply, often more, than biological children.


I keep returning to love.


I didn't know what being a parent would be like. Try describing the color blue to a blind person or the perfect pop song to someone deaf. It's impossible. We can only get at approximations. I heard all the usual things: Your life as you know it is over; It's harder than anything you'll ever do. Etc., etc. Things that are all true but you don't KNOW what it's like until you've fallen into the flood.


But I knew I would love, and I knew it would be different than the way I loved a partner or my parents, friends and siblings. I knew it would feel like I'd carved out a rib and handed it to someone. I didn't know what it would be, but I wanted to experience that in all its wonderful, terrifying, uncontrolled beauty.


And so now I do.


Sometimes you see some prominent gay going on about not wanting marriage or not wanting kids because it's assimilating, or some other similar argument. It always seems to come from some bitter queen, and I've often wondered if that person truly believes it, or if it's just their bitterness, or even a political viewpoint. For some, I think it's a viewpoint. They've decided that this is true and so they stake out a position that makes them an advanced species on the spectrum of gay evolution. It's an ideological viewpoint, and the problem with ideology is that it lacks life and breath and compassion and understanding. It's just a rock you stand on.


I've also always taken great offense to it, for several reasons. The first is that almost any gay person who decides that they a) want to be a parent and, b) will do everything to be a success at it, has probably thought this all through much more than any straight person you'll ever meet. We are gay. We're not expected to have children. To have children we jump through financial and emotional hoops. In other words, I didn't just one day wake up pregnant. So, when, at the age of 39, with a pregnant surrogate, people were asking me, "Are you ready?" I thought, is it possible to be more ready than I am, understanding that no one is ever truly "ready?"


The second reason I take offense is the implication that I've somehow given in to society by not only having a child but even wanting one in the first place, when I don't believe it's something you DECIDE. It's something you feel, and that feeling is, for the most part, probably a mystery.


But to speak more to that, what is more out of the mainstream than two men or two women having a child together? That thing you sent me where the couple says they're traditional gays because they don't have kids says it all. Having a child is the radical departure.


I am a kid from the Appalachians who came out at the age of 16 and went to the prom with a boy (no internet back then to tear me down or build me up over it, either...we just put on our tuxes and went and a few people said faggot but mostly we were left alone). Besides a few J. Crew sweaters I once had and deeply regret, I've never been attracted to or have been a part of the "mainstream" in almost any way you could describe me. There are parts of mainstream life that I reject wholesale. Having a child, as I've said to you before, has made me visible as a gay man in a way I never could have imagined and, after all these years, is like a second coming-out. You see the people look, you explain to the man next to you on the plane, you cross out the word MOTHER on the pediatrician forms and insert FATHER, you anticipate with horror the first time some little shit is going to tease your kid about having two dads. It's a whole different kind of exposure that, honestly, can feel daunting at times. Sometimes you just don't want to take the time to explain your life.


This is to say that those who feel that having a kid is a cop-out (Rupert Everett said something to this effect recently; though I'm convinced this is a minority attitude...I think most gays see it as a very positive thing) should spend one week taking care of my toddler, investing the time and energy and then tell me what I've copped-out on. Sitting on a high horse judging or questioning the intentions of someone who's done something they never have is what seems like a cop-out.


For me, having a child was simply something I always wanted to do. There was no debate for me. For those who know they don't want to have kids, God bless them. They shouldn't, and that is a-okay with me.


But like two lesbians holding hands at the Star of Texas Rodeo (something I witnessed last month), a simple act of desire and love is often the most radical thing, when displayed to the world.


So those who criticize are free to do so but I find they come from a disingenuous position, thoughtless with their words and ideas at best, prejudiced against their fellow gays at worst.


It all distills down to this, Troy: I always wanted a child. I can't truly say why. I did it. I'm very happy.


xo G


Both guys give the impression that they just want to live life on their own terms. No more, no less. Still, they should be commended for their bravery. That kid of bravery is contagious, effecting far more lives than just their own. Bravo!

Endnote: Modern Family is my new favorite show, but I had forgotten what a great show Brothers & Sisters is - and lets not forget, written by Geoffrey Nauffts (author of Next Fall).
Click here to see an episode that will ignite or reignite interest - If you bake it, he will come.

Saturday, April 24, 2010

Jump for Joy



Two weeks ago I went to an open panel where Patrick Healy who covers theater for The New York Times was moderating a conversation about gay theater and why suddenly, there's so much of it on Broadway right now.

Patrick put together an impressive panel of men to talk about The New Direction of Gay Theater.

Joseph Zellnick, co creator of the musical 'YANK!', playwright John Marans, of 'The Temperamentals', actor Michael Urie (who plays Rudi Gernreich), Michael Zam, book writer for the musical 'The Kid' and its star Christopher Sieber who plays the Dan Savage character.

This took place April 11, a Sunday at 12:30pm and you'd think 9 people would show up. Think again! I'd guess 100 gay men and 1 lesbian filled the Snapple Theater which is home to 'The Fantasticks'.

I've witheld the one man that stole the show for the two hours that this panel spoke. His name is Leslie Jordan, and most know him from his role on Wil & Grace, as Karen's worthy nemesis. Of all the men on the panel, Leslie seemed to have the best first hand knowledge of what its been like as an out gay man in Hollywood trying to make a mark for himself. Trying to work!

Every time Leslie spoke, he had the entire room howling. And Michael Urie, sitting to his right seemed to be his biggest fan. It made for an interesting contrast, Michael 30 years old and Leslie 55. I love Leslie's style of humor. Campy. Audacious. Self deprecating. It plumbs the soul. Yet this kind of humor has a long history in gay culture, and tends to be a stereotypical notion of how every gay man use to speak. The tragedy is, it's a brand of humor that is disappearing. He drops a line, a look, a gesture like no young gay guy ever could. The best equivalent I can think of is that kind of woman in her 70's or 80's that you see on the Upper East Side. The way that kind of woman dresses, socializes, and conducts herself in public is so specific that once they die, for the most part, its gone.

Although, there is a modern gay man who has appropriated this kind of humor and combined it with being an out father, and partner. His name is Cameron on Modern Family. Watch one of my favorite episodes here and you'll see first hand what I mean. Click on to Starry Night. Warning. You will be hooked.

David Rooney, in his review for the New York Times said it very well, "Gay kids emerging from the cocoons these days can tune into any Bravo reality show to find an assortment of potential role models. But a few decades back, kinship ran thinner in culture." All that to say Leslie has helped pave the way, helped create the way. And from the sound of his life story, which he tells in vivid detail during his one man show 'My Life on the Pink Carpet,' he's earned the right to finally say, "I'm as close to my authentic self as I've ever been." Click here for Times Review.

Now, about those photos. When I saw the photo of Leslie leaping in the air I had a flash of my own version, circa late 80's. I'm not sure I felt like I was tapping in to my authentic self, but it was definitely my most ecstatic self. And quite possibly, ecstatic and authentic can't be divided.

I'll leave you with something John Marans said about his characters in The Temperamentals, "They were joyously unapologetic about who they are, and we need more of that."

Patrick Healy's panel proved that this is exactly what we are seeing on Broadway, and this is proof of a new direction - the couple in Next Fall, the couple in The Pride, the couple in The Kid, and the ever authentic and joyful Leslie Jordan.

Photo of Leslie Jordan: by Richard Perry for The New York Times
Photo of Troy Chatterton: by Grandma

Thursday, April 22, 2010

I LOVE NY


I love New York. I really do.

Sure, happier people with sun filled faces come from the west coast to visit and I see the point.

But once again, an ordinary day, running errands in the East Village, turned in to event, rivaling the Kentucky Derby and the Macy's Thanksgiving Parade.

Walking up 3rd Avenue I noticed the streets closed off by city police, slowly it occurred to me that I had heard President Obama was coming to New York today, speaking at the Great Hall at the Cooper Union, across the street from the new Cooper Union building, designed by Thom Mayne, one of my favorite buildings in New York. Anyway, making my way around and up Houston to do a bit of shopping at Whole Foods (Top 10 place in the city to find the man of your dreams), people were gathering at the barricades as if a procession of floats were about to pass by.

No floats today, but the onlookers would get a glimpse of America's great hope - Barack Obama.

Just as I was about to shoot in to Whole Foods a figure caught my eye. There up above Keith McNally's new hit pizzeria Pulino's - a woman, in a spring hat nearly fit for the Kentucky Derby, a smile on her face, and what I imagine to be a prosecco in her hand (11am!)- all smiles, with the best view in the city for watching the President arrive. It was a scene and I loved every second of it.

There - I've given you 1, 2, 3, 4, no 5! reasons to love New York.

Note: Click her to read President Obama's speech at the Cooper

Photo: Troy Chatterton